Howdy, kids, welcome to the Phile for a Wednesday. How are you? Well, this is certainly a wild and unexpected story. Turns out a very amusing crook decided to pull off quite a crime, by literally stealing a giant dildo from a Las Vegas sex shop. Yes, you read that right, a giant dildo. What the unidentified man was going to do with this dildo it’s still unknown, but I mean, maybe he has a thing for sexual art or just really weird sex toys. The masked man was captured on surveillance footage in broad daylight as he went into the Deja Vu Love Boutique in Sin City on July 14th. He then nonchalantly just grabs the massive 3 foot tall, 40-pound dildo standing on the sales floor. Even just picks it up over his right shoulder and then leaves the adult store, cramming the said dildo inside his vehicle and driving off. You know, just a regular day in Las Vegas, nothing to see here. According to staffer Ryan Carlson, “the pandemic has encouraged even the scummiest of scumbags to steal the strangest products from the innocent businesses.” He noted, “This landmark item in our store is worth nearly $2,000, so if you happen to see a 3-foot penis sitting around, please turn in the 6-foot-tall dick who stole it. We can only hope that this thief finds Jesus and returns the item or the law finds him and throws him in prison where he belongs!” Apparently one of the store employees, Laura, who declined to give her name to the Huffington Post, the giant dildo is named, the Moby, because of course, it is. It is said to pay homage to Herman Melville’s classic Moby Dick. Pretty genius name if you ask me. The sculpture is apparently of steel on Amazon, where it is listed at $586 as the “world’s largest retail dildo.” According to the listing, “There may even be a soul out there brave or talented enough to use Moby as a traditional dildo. With this tremendous and truly unique cock, anything is possible! You are limited only by your kinky imagination.” Yep, that is it, ladies and gentlemen, this is officially the weirdest thing I have seen in 2020. I don’t know what’s going on in the world anymore, I really don’t.
There is nothing justifiable with child pornography, so I don’t want to say, “if I was committing this crime, I would simply do it this way…” But, how freaking stupid do you have to be to actually print your heinous stash of images of child pornography at Walmart? Clearly as stupid as these guys. In Ogden, Utah, a city 30 minutes North of Salt Lake City, a 33-year-old man has been charged for printing pornographic images at a Walmart photo center. According to the probable cause statement, witnesses reported to police officers that these pornographic images featured girls who appeared underage, and it doesn’t get any better from there. John Hughes, the sex offender found and taken into custody, had the audacity to tell the police department that he needed to print the images out to send to, “his homies who were locked up,” but is adamant that the girls in the pictures aren’t underage. Either way, this Utah man needs to realize how wrong this is. According to ABC4 News, the probable cause statement also mentioned that his vehicle fled from police because Hughes did this while on probation or parole. He is now being held in Weber County Jail without bail for third-degree felony charges, for distributing pornographic material. And if you think that this is a rare occurrence to be printing images of child exploitation at your local Walmart, think again. According to ABC21, another man accused of similar felony charges was caught printing off child pornography at another Walmart in Warsaw, Indiana, last summer. Twenty-six-year-old Brendan Chivington from Fort Wayne, Indiana, faced a count of child exploitation and child pornography each for printing 110 pictures that had nude images of girls apparently between the ages of 10-13 years old and young boys wearing only Speedo’s, posed in provocative positions. Internet crimes against children are seemingly never-ending, and the fight must continue. I can make fun of these idiots all I want for being so stupid, that they would go to their local Walmart to reveal their possession of child pornography. But videos of child pornography online and within the depths of the dark web are a big part of child exploitation, and it truly breaks my heart for these victims. If you know or suspect anything about sort of sexual assault, child abuse, or child exploitation, don’t hesitate to reach out to law enforcement immediately.
The body of a Fort Hood Soldier was found by a lake near the military base, marking it the third time in a month that remains of a service member from the Texas base have been found. According to authorities, Pvt. Mejhor Morta was found unresponsive on July 17th in the vicinity of Stillhouse Hollow Lake. Stillhouse Hollow Lake is a reservoir located in Bell County and is managed by the U.S. Army corps of Engineers’ Fort Worth District. The 26-year-old was a private from Pensacola Florida and had joined the army back in September 2019 as a mechanic. In regards to his death, Lt. Col. Neil Armstrong, commander of the 1st Battalion 5th Cavalry Regiment, stated, “The Black Knight family is truly heartbroken by the tragic loss of private Mejhor Morta. I would like to send my heartfelt condolences to his family, friends, and loved one.” Armstrong did note that Morta was “a great troop” and the entire formation is now mourning the Fort Hood soldier’s death. As far as how the 26-year-old died, Army officials have not provided any information on the cause of death. The soldier was assigned to 1st Battalion, 5th Cavalry Regiment, 2nd Armored Brigade Combat Team, and 1st Cavalry Division since May 2020. Morta’s awards and decorations include Global War on Terrorism Service Medal, Army Service Ribbon, and National Defense Service Medal. The Bell County Sheriff’s Department is now investigating the incident, but have not released any further information. This isn’t the first time Fort Hood has made national headlines in regards to a soldier’s death. On July 1st, investigators found human remains that were later identified as Vanessa Guillen, the 20-year-old missing Fort Hood Soldier. Guillen was found 20 miles east of the base. Fort Hood Soldier Aaron Robinson, who is a suspect in the case, shot and killed himself as police were on their way to arrest him. A woman, later identified as Robinson’s girlfriend, was arrested and has pleaded not guilty to federal charges of tampering with evidence. On June 21st, other skeletal remains were found in the field and Killeen, 10 miles from Stillhouse Hollow Lake. The remains were identified as 24-year-old missing Fort Hood Soldier Gregory Morales. U.S. Army officials stated that they suspect foul play in his death. Despite the findings, there is no indication that Morta’s death, along with Morales, and Guillen are connected. Due to the findings, members of Congress have now joined advocates for women to continue the call for changes and how the military handles harassment and sexual abuse claims following the death of Guillen.
A Minnesota woman was filmed climbing into an alligator pit at the Safari North Wildlife Park in Brainerd, Minnesota with her son in tow to grab her wallet, which had been dropped in the enclosure. Ashlynn Morris, a zoo-goer who filmed the incident, posted her videos to Facebook and wrote about what she witnessed. In the videos the woman can be seen circling enclosure’s pond, which has about a dozen gators in it, trying to figure out how to retrieve her wallet. Her son, meanwhile, meanders around the pond on his own, seemingly exploring the alligator cage out of curiosity. At one point the boy tiptoes up to the edge of the water. Though the alligators are clearly not full-grown they’re more than big enough to cause serious injury. Other children at the zoo can at one point be heard warning the little boy that he’ll get bitten if he gets too close to the water. The woman is eventually able to retrieve her wallet by throwing rocks into the water to scare off the gators. She and her son then climb back over the enclosure’s fence, at which point she yells at her son for following her into the gator cage. The Safari North Wildlife Park had no idea the incident occurred until the video went viral. Zoo officials said they were disturbed by the incident and if the woman is identified they say they intend to press charges against her for child endangerment.
A California woman upset with a Verizon Wireless store’s mask policy decided to protest their unjust insistence that customers wear liberty muzzles if they wish to enter the store by liberating herself from her pants and then peeing all over the store’s floor. Roseville Police were called to the Verizon store off Galleria Boulevard in Roseville, California (a suburb of Sacramento) after store employees called 911 twice to report that, first, a group of three people were refusing to wear masks and refusing to leave the store, and then, later, that one of the members of the group, a woman, was taking her pants off and urinating in the store. CBS13 played a recording of the 911 dispatcher talking to police on their newscast. Police arrested the woman in question and, after searching her car, found stolen items from Dick’s Sporting Goods. A Verizon representative told CBS13 that the urination incident was not only in response to the company’s mask policy but would not comment further about any other motivations or what happened. Apparently there might be more to this story than just, “NO FACE PRISONS FOR ME SHEEPLE DRINK MY PEE YOU FASCISTS.” Regardless, masks making people crazy is by far the most puzzling American trend in my lifetime. It’s just such a bizarre place to make a stand. I at least understand not wanting to close your restaurant’s dining room or feeling like you’re being imprisoned by a shelter in place order. The mask stuff, on the other hand, is pure conspiracy tin foil lunacy that has somehow gotten kind of mainstream. Presumably, this Verizon store is carpeted which leads one to wonder, which would be worse to deal with as an employee? A customer peeing on a carpeted floor or a hardwood/tile floor? The hard-surfaced floor would definitely be the grosser one to witness. The puddle would spread rapidly and be bright yellow. Plus there is more splash. But the carpet absorbs the hate. Ghosts of that pee, real and imagined, will linger for days.
So, once in a while when I'm bored I go on Twitter and look up certain words. Recently I looked up "Foghat" and saw this tweet...
What about them? It's good to see Trump finally wore a mask...
Apparently Nicolas Cage visited the White House recently...
Hahaha. Maybe they were making another of those National Treasure movies. Ivanka turns out not only likes Goya beans, her brother likes them as well.
That's really dumb. Hahahahaha. This made me laugh... kids are using puns to prank their parents. Like this one...
That's brilliant, kid. Now from the home office in Port Jefferson, New York, here is...
Top Phive Stupid Things That Were Said Out Loud In Public
5. I don't need to get vaccinated, my dad's a chiropractor.
4. What animal is a ham?
3. Pigs don't have blood.
2. The moon’s distance from the Earth is less than 100 kilometers.
And the number one stupid thing that was said out loud in public was...
1. In retaliation for 9/11 we should bomb the Taj Mahal.
If you spot the Mindphuck let me know. So, crazy shit happens in this state of Florida that happens no place else... like this story.
A black Florida woman was confronted in Pasco County, Florida for wearing a mask in public by another woman who was apparently tired of watching herds of sheeple walk around her state wearing government-mandated face prisons to stop a made-up virus. The angry anti-mask woman told her African-American, mask compliant fellow Floridian that she was being a “good little slave” by wearing her mask in order to curb the spread of coronavirus. The black woman, immediately and understandably offended by this, pulled out her phone and started filming the confrontation, asking why the anti-mask woman felt it was appropriate to say something so racist. The anti-mask woman proceeded to argue that she is Mexican so she can’t be racist, or something. The mask-wearing woman, apparently named “Meg” according to her Twitter account, recounted the details of the confrontation before linking the video.
Whyyyyyyyyyy. What’s the point of any of this? Is there a national hobby deficit that I’m not aware of? Someone get this anti-mask lady something else to think about. Way too many people don’t have enough to do, even before stuff shut down. Imagine thinking wearing a mask was your Bunker Hill. Your Alamo. It’s a face mask, you losers.
Dogs probably destroy shoes because they see humans put them on before they leave the house.
On Monday's Phile I asked who said "I bet I can eat nachos and go to the bathroom at the same time!"? If you thought it was Bender, then you were right. But admit it, you thought Trump could've said it. Speaking of Trump...
President Donald Trump yesterday offered sympathetic words to Ghislaine Maxwell, the longtime companion of Jeffrey Epstein who stands accused of facilitating the abuse of girls by the now-deceased sex offender. “I just wish her well, frankly,” Trump said when asked about Maxwell during a news conference. Maxwell, 58, was denied bail last week and is to remain behind bars as she awaits trial on charges she recruited girls for the financier to sexually abuse more than two decades ago. The British socialite was a romantic partner of Epstein, who killed himself in prison several weeks after being charged with sex trafficking. An indictment alleged that Maxwell groomed the victims to endure sexual abuse and was sometimes there when Epstein abused them. It also alleged she lied during a 2016 deposition in a civil case. Epstein associated over the years with many high-profile figures in politics and business, including Trump, former President Bill Clinton, Prince Andrew of Britain and the retail mogul Leslie Wexner. “I’ve met her numerous times over the years, especially since I lived in Palm Beach, and I guess they lived in Palm Beach,” Trump said of Maxwell. Epstein pleaded guilty in 2008 to state charges in Florida of procuring a person under 18 for prostitution and felony solicitation of prostitution. He served 13 months, most of it on work release program at a county jail.
The 132nd book to be pheatured in the Phile's Book Club is...
Phile Alum Alicia Keys will be on the Phile on Monday. Okay, let's take a live look at Port Jeff, shall we?
A blonde heard that milk baths would make her beautiful. She left a note for her milkman to leave 25 gallons of milk. When the milkman read the note, he felt there must be a mistake. He thought she probably meant 2.5 gallons. So he knocked on the door to clarify the point. The blonde came to the door and the milkman said, "I found your note asking me to leave 25 gallons of milk. Did you mean 2.5 gallons?" The blonde said, "I want 25 gallons. I'm going to fill my bathtub up with milk and take a milk bath so I can look young and beautiful again." The milkman asked, "Do you want it pasteurized?" The blonde said, "No, just up to my boobs. I can splash it on my eyes."
This is so cool! Today's guest is an American record producer, musician, and songwriter. His latest album "The Invisible Light: Acoustic Space" is available on iTunes, Amazon and Spotify. Please welcome to the Phile... T Bone Burnett.
Me: T Bone! Welcome to the Phie, sir. How are you?
T Bone: Hello, Jason. Its good to be here. I don't do too many interviews so I hope it'a good one.
Me: Me. Too. So, your latest album "The Invisible Light: Acoustic Space" is the first album of new studio songs in over a decade. What made you decide to do an album now?
T Bone: Well, about five years ago Marshall Brickman called me up and said would I be interested in writing music for this play he was writing. It was a musical about the people who played Roy Rogers and Dale Evans. I felt no one even knows who Roy Rogers and Dale Evans were anymore so I felt like telling that Roy Rogers was the biggest singing cowboy star of the 1940s. He was a Jimmy Rogers not impersonator but he was heavily influenced by Jimmy Rogers. He was a great yodeler as well.
Me: I actually was in New York City in 2010 and was at Sothebys and the Rogers estate was auctioning off a lot of the stuff they had, including a stuffed Trigger! So, how was it working on the play?
T Bone: That's funny. He was a great rider as well. He did all the trick riding in his movies he did himself. The people who played them had much more intestine lives than the people they played. So I said I'll do that and said I better study this if I was going to do a musical because there's so much history there I didn't want to just come in like I know what I'm doing and not know what I'm doing. So I started studying Frank Loesser who I think is probably the greatest of all the musical composers. It scared me so I started writing, I started to get up at four every morning and writing for four or five hours before anyone else woke up. It took me a year to write 18 songs that became songs for the play.
Me: So, how did this play lead to this album?
T Bone: Well, when I got through with that I was such in the habit of getting up at four in the morning I just continued. And at this point I've written about a hundred new lyrics and songs.
Me: You did this album with Jay Bellerose and Keefus Ciancia. Who are those guys?
T Bone: I worked with Keefus and Jay for many years and I always thought their sounds were so extraordinary but they're always blended in with all these other sounds. Nobody gets to hear them raw, and how big they are and how interesting they are and what great musicians they are. So I felt I want to do a record with the two of them and I went in with these lyrics and we just started composing together and improvised in the studio.
Me: How much music did you guys record for the album?
T Bone: A couple of years ago we went into the studio and recorded about two hours worth of music and adding to it and working on it. "The Invisible Light: Acoustic Space" is the first of the three records that we are working on.
Me: Are they linked as one theme or just by the musicians?
T Bone: Well, both. Thematically I've only written about one thing in my whole life which is essentially self delusion. At this point I know more about it then I did when I was a kid. I've never had a spell of writing like this and I don't want to stop. I just want to keep going until I drop. I feel this music is what I need to do at this point in my life. I've hidden behind other people for most of my life. I had no ambition to be a performer when I was young and I've always been ambivalent about the whole public performer, celebrity routine. But at this point, it's irrelevant to me. I want to do this, I want to play and record and write and sing.
Me: What genre would you out this album in?
T Bone: Well, look at it this way. I look at it partially as folk music. It's certainly folk music and electronic music hybrid. I think of it as trance music.
Me: What kinda instruments are used on the album? I don't really hear any normal instruments, or drums.
T Bone: The drums were the first folk instrument. When this thing was going on in the village the drums would be doing this and in the next village they would know not to come over and to come over. So drums were used to communicate over long distances. They were the first communication technology so to speak. So it has this folk elements and Keefus is playing sounds. Very seldom does he play any recognizable sound in fact. So it's a blend of this two things.
Me: Is this music composed or do you just make it up as you go along?
T Bone: It is improvised. We just start with a lyric and I start with the rhythm and feel of the lyric and then it just starts happening.
Me: I didn't know you did the music for HBO's "True Detective." Is that music similar to this new album?
T Bone: Absolutely, yes it is. We've been freed up by "True Detective" I think. Nic Pizzolatto is the beautiful writer behind the show, he's also very respectful of the other artists. He's not one of these control people so he finds people who he thinks is really greta and doing what they do and he lets them do it. His confidence in us and his willingness to collaborate in that way has freed us all up. I think this music is the freest music I've ever been a part of. It's the closet to Mile Davis' "A Tribute to Jack Johnson" or something like that, I love that period of Miles.
Me: Did you always want to do a jazz kinda thing?
T Bone: Yeah, I always wanted to do something like that and I think we're finally getting into that world of jazz. I don't think people would call this jazz really either.
Me: Do you like working in film and TV? You have done a lot of that.
T Bone: One of the things I like working in film and television is it's all about feeling. The reality is the people, if the audience loves the character it doesn't really matter what the story is.
Me: Why do you think that is?
T Bone: Because it all grows out of the feeling of the character. So the when we're strong, like in the most recent season of "True Detective," 85% of the score grows out of how is this person who's retreating into dementia. Some people said it's like horror movie music. The hours is dementia.
Me: How old were you when you first started to get into music and who did you like?
T Bone: I was 14-years-old at the Skyliner Ballroom in Fort Worth, and the house band was Ray Sharpe, who had a hit single called "Linda Lu," a song I went on and did myself.
Me: You did a version of "Linda Lu"? Foghat did as well, but called it "Linda Lou." Did you really like that song?
T Bone: One thing I'll say about that song that I find interesting, it's a subversive song. Ray was African-American had a girlfriend called Linda Lu who was Caucasian. And back then, maybe still, the African-American community would call a white girl "Patty." That's why he's saying "they call my girlfriend Patty but her real name is Linda Lou."
Me: Ahhhh. I never knew that. I wondered if my dad knew that when Foghat recorded a version of that song. That was kinda brave of Ray Sharpe, right?
T Bone: Yeah, he was putting right out. He said, "I'm going out with a white girl, what are you going to do about it?"
Me: What was it like living in Fort Worth, Texas back then?
T Bone: Fort Worth was the first town, of not one of the first towns in he south, certainly the first town in Texas to integrate and accept the black community into the white community. When I was kid if I went down to the department store their would be black and white water fountains which freaked my little kid mind out. I couldn't fathom that. It ended very quickly, but the time I was 10 that was all gone. We used to go to black clubs to hear music when we were kids and the Skyliner was a ballroom hat was built probably in the 40s for those big dances they used to have with a large dance floor on springs. But at this time it had fallen on hard times. Jack Ruby owned it who was the Dallas gangster who shot Lee Harvey Oswald at the police station.
Me: Holy shit! That's crazy. So, did you know a lot about Jack Ruby then?
T Bone: Jack Ruby had a girlfriend named Tammi True who was an exotic dancer, we call them strippers now. She was agent stripper and being 14 and hearing that great music and seeing those strippers changed my life for the better.
Me: What other shows have you seen at the Skyliner Ballroom?
T Bone: I've seen one of the greatest shows in my life there, which was the Ike and Tina Turner Revue.
Me: They recorded an album that was live at the Skyliner Ballroom. Was that the show you were at?
T Bone: Yes, it is. One off the things I realized many years later when the Internet happened was I could find those records again that had disappeared. I put on that record and I remember the sound of the Skyliner Ballroom and I realized every record I ever made I was trying to reproduce the way I felt and the sound and resonance and ambience of the atmosphere of that place. It was just a wild great place.
Me: How old were you when you were at Ike and Tina Turner show?
T Bone: I was probably 17 or so.
Me: Are you still trying to capture that in this new record as well?
T Bone: Yeah, it's certainly grown and it's different now but yeah.
Me: So, who was one of the biggest musical influences on you?
T Bone: Burt Bacharach was. He's sort of one of our all time greatest songwriters and extraordinary orchestrator. But also growing up in Fort Worth I was comfortable on stage, I wasn't what I wanted to do but listen to "Walk On By," man, that's one of the most extraordinary records ever made. Dionne Warwick's "Walk On By" is one of my top 10 favorite records ever. He wrote music for movies, he got extraordinary singers to sing his songs, he produced them and I thought that's what I should do. I should follow Burt Bacharach, and I have. I'm doing my own version of it and certainly the songs are not as sophisticated, the arrangements are not so much worked out and smooth like the stuff he was able to do. But I ended up writing music for movies and getting great singers to sing the stuff.
Me: So, I read that you toured with Bob Dylan. Is that true and what was that like?
T Bone: Yes, I did on Bob Dylan's Rolling Thunder Revue Tour in 1976. I played guitar and piano on that notorious tour. For better or for worse that's where Bob discovered me. I think the image that burnt the most into my mind was we were in Plymouth, Massachusetts and we were in a little five hundred seat playhouse and we played for about 20 or 30 minutes and in the middle of one of the songs Bob took out his harmonica and started playing and the roof came off the place. The audience response to his playing harmonica was like a jet plane talking off. It was really loud. It was only five hundred people and it was extraordinary. I am deeply grateful to Bob for everything he taught me. I've had the extreme good fortune to have extraordinary teachers all through my life and he was one of the early ones.
Me: You worked on one of my favorite albums of all time "Spike" with Elvis Costello, who I had on the Phile last April. What was it like making music with Elvis?
T Bone: Well, Elvis Costello was another great teacher. Several of the things I learned from him was to get back to the initial bravery that I had when I started. The ability to put two things together that don't go together and find a way to make them work. And to be fearless in that. Elvis would do a vocal, then he would do another vocal with a completely differ voice and he would combine them so from one line to another there would almost seem to be a different person singing. I gotten to a point when we were working together I got a little more controlled. I've been working with Los Lobos and other bands in Los Angeles and the whole Los Angeles record business was sort of co-defining things and making things more controlled and Elvis came into that and blew it all up for me and a lot of us. I got back to that sense of audacity, just like not having to conform.
Me: You produced the songs for the movie O Brother, Where Art Thou?, which is a movie I know the music but never seen the film. What was it like working on that soundtrack?
T Bone: The thought behind it was to regenerate, retexturize, reframe that music was just an important part of all of our lives. Folk music has ebbed and flowed but has been a constant all of my life and throughout the whole 20th century. Tchaikovsky was using folk music, all the modernist composers were using folk music. That was the ideas, to approach it like Bartók did. That sounds completely pretentious but that was the idea to approach it. One of the realizations was we had at a time radio was not accepting this kind of music at all. Those movie theaters were good "radio stations" People were sitting in the dark with great sound systems and we were able to put another octave or two on the bottom of this music that had never been there before. People were used to hearing it in this very narrow spectrum and we expanded it on the top and the bottom and make it punchier and more like rock and roll and like people could hear today.
Me: You worked with Roy Orbison, what was he like to work with?
T Bone: If you stood three feet way from him you couldn't hear him. He sang so quietly. Also from Fort Worth by the way. It was all tone and all intensity. Another interesting thing about him, when he recorded he didn't put his voice in the headphones. He has the band in the headphones. He had learned in the early days of rock and roll when they didn't have monitors, he learned just to feel the notes with his jaw he said. That's part of it, he just had this extraordinary contained way of singing.
Me: When you go into a studio with someone that already has a career what is your mind thinking, to try and do something different with them or the same that they are known for?
T Bone: Most of the time I go backward to go forward. I go back to the time when I first fell in love with those people. I remember seeing Willie Nelson at Panther Hall in Fort Worth when he was playing with Wade Ray and all of those beautiful songs like "Crazy." I remembered the energy of that and the purity of it. I generally go back to that and say how do we reframe that now. It starts with that thought.
Me: What's the biggest thing people do wrong when they make a record?
T Bone: I think they try to make it perfect. And perfection is a second right idea. They're trying to make something beautiful and trying to make something human I think is preferable to trying to make something perfect. No to mention it's so easy with ProTools and digital record, its easy to make something prefect. They can just put a plug in, there should be a plus in called perfect.
Me: Is there someone you aways wanted to make a record for but never have?
T Bone: No, not really. I never thought of that. Probably the people I'd like to make a record with or for are gone by now.
Me: What about Bob Dylan?
T Bone: Bob doesn't need me, I'm his follower. He doesn't need to follow me.
Me: What's the most important thing about making a record do you think?
T Bone: I go for the groove I have to say. It's that simple. I just look for the feeling and the groove. With the exception of Stardust Cowboy which was not a groove. Listen to "Linda Lu," that's a stern groove, man.
Me: T Bone, sir, it's great to have go here on the Phile. Please come back again.
T Bone: It was great to be interviewed by you. You did a great job. It was fantastic, man, it was really fun. Let's do it again, let's do some more down the road.
Me: Definitely. Thank you.
That about does it for this entry of the Phile. Thanks to T Bone Burnett for a great interview. The Phile will be back on Friday with Alex Lacamoire. You Hamilton nuts will know who he is. Spread the word, not the turd... or virus. Don't let snakes and alligators bite you. Bye, love you, bye.
I don't want you, cook my bread, I don't want you, make my bed, I don't want your money too, I just want to make love to you. - Willie Dixon
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