Friday, July 24, 2020

Pheaturing Alex Lacamoire


Hi there, kids, welcome to the Phile for a Friday. In the past few weeks, the Trump administration has placed massive pressure on governors to open schools up in the fall for in-person learning. While everything from elementary schools to college campuses closed down for distance learning in the spring, the White House is pushing for schools to reopen as part of a wider plan to "revive" the economy and return to life as normal, this is all despite a recent surge in COVID-19 cases. In reaction to this push to return to full classroom learning, some teachers have been writing their wills as a morbid precaution. In a more humane world, this in itself would be enough to give our government pause about the next steps, but alas... that is not the state we're currently in. In response to the rapidly approaching fall school dates, the cultural analyst Melissa Hillman wrote a thread predicting exactly what will happen if schools open across the country. First off, Hillman predicts every teacher with the ability to retire will make that call at the very last minute, causing a shortage of teachers. Any issues with understaffing and underfunding will be manipulated into blame toward teacher unions and the teachers themselves, Hillman wrote. Due to the strict schedule of a school day, Hillman wrote that it's unlikely that classrooms will be properly sterilized between students... particularly without enough PPE and cleaning supplies. Again, Hillman wrote that any teacher with the ability to quit will quit, they're already underpaid and under appreciated... so the imminent risk of death is beyond a tipping point. Hillman also predicted that at least one teacher will go into the ICU from every school that opens, and that will cause a widespread call for quarantine... with no previous planning for distance learning. This immediate lockdown will saddle working parents with no child care, and give teachers in the impossible task of creating digital learning in less than 24 hours. Ultimately, Hillman wrote, this will result in the deaths of parents, teachers, and children, There will be children who will lose one or both parents, and grow up with life-long complications from the virus (on top of the psychological trauma). There will be protests, walk-outs, and eventually... the pandemonium will result in more under-prepared distance learning. And all of this can still be avoided. The reason schools are even being pushed to reopen is to revive the economy, and Hillman wrote that the reversal back to online education is not a question of if... but when, and it all depends on when the deaths start. The victim-blaming, Hillman wrote, will be rampant and will teachers and families for mass death, instead of the very government that forced them into this position. While yes, we all miss the experience of being in a room together, Hillman wrote that teaching in a socially distant classroom will be much harder and more emotionally taxing than teaching via Zoom. A lot of people jumped onto Hillman's thread to echo her thoughts and share how they are dealing with the possibility of schools reopening. A lot of teachers confirmed Hillman's prediction that they'll quit their jobs if it comes to that. People also pointed out that if we wanted to open schools in safer ways, there are precautions and methods, the U.S. just hasn't set itself up for those. It's sad that this thread even exists, but there is still time for teachers and parents to band together and stand up against demands that their children and livelihood be put at risk.
When you think the nightmare has ended in the Catholic church, more details have come to light surrounding the sexual abuse allegations against former Cardinal Theodore McCarrick. Not only was the former Newark archbishop and cardinal “defrocked and cast out of the ministry” for sexually abusing minors and adult seminarians over the decades, but a new lawsuit has come forward detailing how he was sexually abusing teenagers at his New Jersey beach house in Sea Girt in an alleged sex ring too. Another victim, only known as Doe 14, was raised in Newark, New Jersey. By the time he was a teenager, Doe 14, an active church participant and student at St. Francis Xavier in Newark and Essex Catholic in East Orange in the Archdiocese of Newark, was allegedly groomed in a sex ring that the former Cardinal McCarrick was involved with. The lawsuit explained that other priests brought victims to McCarrick to be paired with adult clerics, where he “assigned sleeping arrangements, choosing his victims from the boys, seminarians and clerics present at the beach house.” In a virtual press conference, Jeff Anderson and other attorneys representing the now 53-year-old Doe 14 explained the details of how the sexual abuse played out over decades, which not only involved McCarrick, but also other clergy members, along with at least seven kids. They also called out how the Catholic church “cloaked” the “open and obvious” criminal sexual assault. The court papers also explained that Doe 14 was also filing suit against “the Diocese of Metuchen, where McCarrick served as bishop, the Archdiocese of Newark, where he was the archbishop, and the schools, high schools and parish schools Doe 14 had attended while growing up in New Jersey.” Other sexual abuse charges from other seminarian victims of McCarrick stemmed from his beach house as well. Doe 14 also called out other priests who were at the beach house and sexually abusing the victims there. He named Gerald Ruane, Michael Walters, John Laferrera, Brother Andrew Thomas Hewitt, and Anthony Nardino. Ruane and Hewitt have already passed away and the others have been removed from the ministry. Nardino specifically was accused of molesting Doe 14 when he was only 11-years-old. These lawsuits are key under the new law that allows victims more time “to sue their alleged abusers and the institutions that protected them,” in which James Grein came forward in 2019 that he had also been abused by McCarrick. McCarrick allegedly continued to abuse him for 20 years, even after Grein disclosed the abuse during a Vatican visit to Pope John Paul II. More victims who were sexually abused by McCarrick came forward to corroborate about the beach house sex ring in Sea Girt. Two cases resulted in secret $80,000 settlements, one including a former priest who became a lawyer. The lawyer mentioned how McCarrick “would invite young seminarians and priests to the house in Sea Girt, where they would be expected to share a bed with McCarrick.” As more legitimate allegations came forward, McCarrick was eventually forced to resign from his position and removed from the ministry. He was laicized, which is considered one of the harshest punishments by the church.
An Ohio man who was out on parole has now been thrown back in jail and is awaiting new felony charges after a picture circulated on social media, showing him posing with his knee to the neck of a crying two-year-old boy. Alongside the picture, there was a message referring to the Black Lives Matter Movement. The Clark County Sheriff’s Office first became aware of the photo circulating on Facebook, which appears to be a direct reference to a former Minnesota cop, Derek Chauvin, who murdered George Floyd by pressing his knee on his neck for 9 minutes. The death of George Floyd quickly sparked several months of protests across the United States. The photo shows a man, who was identified as a 20-year-old Isaiah Jackson, with his knee on the child’s neck, who is only wearing a diaper. A second person is seen holding a child’s hands behind his back. A black banner across a photograph read: "BLM now mf.” Police officers were able to determine the location where the incident took place and made contact with both the child and the mother, as well as a male subject who was seen using the image. According to the Clark County Sheriff’s Office, the relationship between Jackson and the child’s mother is still unknown. Jackson, who is a Parole Authority holder from the Ohio Department of Rehabilitation and Correction, was quickly taken into custody and still remains incarcerated in Clark County Jail. He is now waiting for the county prosecutor office “to provide a determination on the scope of the breadth of the felony charges that will be supported by the office for presentation in court.” According to the Sheriff’s Office, the child was taken to a local hospital for further examination and was luckily found to have no injuries related to the incident. The Sheriff’s Office stated that the mother, who has not been identified, told deputies that she was not aware of the photo until she was informed by other parties that the Sheriff’s Office was on the way to her home to begin the investigation of the incident. The investigation is still ongoing. Relating to the photo, an Atlanta area high school special education teacher is currently under fire for commenting beneath the photo once it’s made its way to Facebook further encouraging the volume against the toddler. According to WGCL-TV, Brian Papin, a Cedar Grove High School interrelated teacher, wrote “Again! Your [sic] doing it wrong! One knee on the center of the back one [sic] the neck and lean into it until death! You saw the video! Get it right or stop fucking around!” DeKalb County School District released a statement on Facebook saying they were aware of the disturbing social media post associated with a district teacher. They are currently investigating the situation and they’re committed to the safety of the children, noting there is no place for racism in their District.
New Mexico authorities are investigating a deadly shooting at an auto shop after a man who refused to wear a mask allegedly tried to run over the shop owner’s son and crashed into a vehicle before driving off. An incident report written by Bernalillo County sheriff’s deputies say as they were searching for the man, they received a call from the shop owner saying the man had returned and that his son had shot someone. Deputies found two men on the ground. One didn’t have a pulse. Albuquerque police have taken over the investigation. Police spokesman Gilbert Gallegos declined to release more details about Tuesday afternoon’s shooting, saying detectives were interviewing additional people. “The investigation is still in its preliminary stage,” he said Thursday. The initial incident report indicated the man had stopped at the auto shop and asked for air for his tire, the Albuquerque Journal reported. The owner said he told the man that he could help him but that he needed to have a mask on and the man became “extremely irate.” The state’s mandate that everyone must wear face coverings in public has been in effect since May 16th. Operators of essential businesses must require customers to wear masks, and violators are subject to a fine. Gov. Michelle Lujan Grisham in a tweet Thursday reiterated the call for wearing masks as state health officials urged people to stay at home.
New York City officials will no longer be able to use the terms “ illegal immigrant” and “alien” to refer to undocumented immigrants. The NYC Council voted yesterday to ban the “dehumanizing and offensive” words in local laws, documents, and rules. According to speaker Corey Johnson, the term that officials will be using going forward will be “non-citizen” Ahead of the vote, council member Francisco Moya stated, “These words are outdated and loaded words used to dehumanize the people they describe. It’s time to retire them. Words matter. The language we choose to use has power and consequences.” Last year, the city’s Commission of Human Rights issued a guidance making it illegal to use the terms “ illegals” or “ illegal alien” with intent to humiliate, harass, or intent to demean a person. The guidance also made it illegal to discriminate or harass against someone for their use of “another language or their limited English proficiency, and threatening to call Immigration and Customs Enforcement on a person based on discriminatory motive.”
Do you kids like The Princess Bride movie? Not me. I do not like that movie at all. Anyway, if you watched it recently you might notice they made a few changes to the film.


Told you. Haha. I'm glad to see kids are using puns to prank their parents. Like this milk gone bad...


Hahahaha. Did you see Ivanka Trump's latest ad? No? I have it here...


The bottom text says, "Since you're not getting much real dicks in quarantine." Hey. It's her ad, not mine. Do you kids like the movie A League of Their Own? I saw it when it came out and it was okay. I do not remember Donald Trump being in the film though.


There's no crying in baseball. If I had a TARDIS I would go to the see the 1951 Boston Marathon.


Nine-ear-old Shigeki Tanaka was a survivor of the bombing of Hiroshima and went on to win the marathon. The crowd was silent as he crossed the finishing line. The war had only just ended and anti-Japanese sentiment was huge. He was running in "tabi" or split-toe shoes made by the Kobe footwear company called Onitsuka, named after its founder and which is best known today as Asics. So, today's guest, Alex Lacamoire worked on Hamilton. I have not seen it yet, and don't think Lin-Manuel Miranda looks nothing like the real Hamilton, until I saw this painting of Hamilton that was painted when he was president...


Guess I was wrong. Hahahahahahaha. It looks like no one wants onions during the pandemic...


I don't like things that make me cry myself. Okay, now from the home office in Port Jefferson, New York here is...


Top Phive Things Said By People Who Saw Hamilton
5. The Hamilton lyric "your perfume smells like your daddy's got money" is the one stuck in my head today. I fear that like many of my thoughts tweeting it is the only way to exercise it.
4. I'm running for President - Kanye after watching Hamilton for the 12th time.
3. Anyway, if you watched Hamilton and see the man literally cheat on his wife, fail his allies, send his own son to his death, have an emotional affair with his sister-in-law, be a dick to everyone around him and think it glorifies the Founding Fathers, not sure what to tell you.
2. Just watched Hamilton with my dad and Burr shoots Hamilton and he goes, "Wow, I didn't expect that." Sorry what?
And the number one thing said by someone who saw Hamilton...
1. Eliza Hamilton was pregnant with her sixth child when her husband published the "Reynolds Pamphlet," let that sink in.




If you spot the Mindphuck let me know. Okay, here's a nice story from...


A homeless man in Tallahassee, Florida applied for a job at McDonald’s and was told he could work there so long as he was able to clean up and shave his beard. The homeless man, named Phil, quickly set about to clean himself and procure a razor, not only to shave his beard but to keep himself cleanly shaven. Phil scraped together some money and bought himself an electric razor, secondhand. The razor, it turned out, was broken. Nonetheless, outside the McDonald’s he was told he could work at, Phil stood and attempted to shave his beard... with a broken razor, no shaving cream, and no mirror ... determined to get the job. At that same time, Tallahassee Police Officer Tony Carlson happened to be at the McDonald’s. He’d met Phil before, and the two were familiar with each other. Phil looked over and asked Officer Carlson if he knew how to fix a razor. According to Officer Carlson, for whatever reason, instead of shrugging and saying no, he became interested and walked over to Phil. While Officer Carlson was tightening a loose screw on the razor Phil explained what he was doing and why he had the razor. Seeing that this guy was trying to better himself, Officer Carlson told Phil he’d help him shave so he could get the job. So that’s exactly what he did. Officer Carlson tells the story himself in this video posted to the Tallahassee Police Department’s Facebook page. Thanks to the helping hand from Officer Carlson, a clean-shaven and confident Phil went into McDonald’s and got the job. Though, as Officer Carlson tells it, what he did was no big deal. Rather, that sort of thing happens all the time and it was just pure coincidence that this particular instance was caught on film. Either way, keep it up officer.



The 132nd book to be pheatured in the Phile's Book Club is...


Phile Alum Alicia Keys will be on the Phile on Monday. Okay, let's take a live look at Port Jeff, shall we?


Looks like a nice evening there. Now for some...


Phact 1. In 1943, the Pittsburgh Steelers and the Philadelphia Eagles merged into one team known as the “Steagles” because of depleted rosters during World War 2.

Phact 2. In 1968, over 6,000 sheep suddenly died near the Skull Valley Indian Reservation in Utah. It was later revealed that this was due to nerve agent testing by the U.S. Army.

Phact 3. There is a charity gaming marathon where gamers complete games as fast as possible. People watching “Awesome Games Done Quick” on a live stream donated over $4.5M in the last 2 year alone. All donation go to charities like Doctors Without Borders and the Prevent Cancer Foundation.

Phact 4. YouTube is blocked in China.

Phact 5. George Washington’s best spy was codenamed ‘Culper Jr.’. He was identified as Robert Townsend nearly 150 years after the war because a Long Island historian named Morton Pennypacker recognized his handwriting from some business receipts and matched it to intelligence correspondence.



Today's guest is an American musician, arranger, conductor, musical director, music copyist, and orchestrator who has worked on many shows both on and off Broadway. He is the recipient of multiple Tony and Grammy Awards for his work on shows such as In the HeightsHamilton, and Dear Evan Hansen. Please welcome to the Phile... Alex Lacamoire.


Me: Hello, Alex, welcome to the Phile. How are you?

Alex: Hello, thank you for having me.

Me: Okay, before we get to Hamilton, which I have not seen... but everyone I practically know has. My sister and her family are obsessed. Anyway, What is the earliest memory you have falling in love with music?

Alex: Oh, wow, that is a great question. Legend has it when I was 2-years-old I would sit in front of a speaker for our home stereo system and I would stare into that speaker, transfixed by the sound coming from within. Before I knew how to read words or read letters I apparently could tell you which record I wanted to listen to just by the color and the logo on the cover and label of a 45. I would say to my mom, "I want to hear 'Hotel California'" or whatever then they'd pick up a record thinking it was it and I'd say, "No, it's not that one, it's this one. It's over here." I knew what it looked like before it was put on a turn table. So I guess I always had an association with music and visuals and sound and what have you. This was before I could even form memories. Those are the earliest memories.

Me: Did sitting by the speakers hurt your hearing? I have been around loud music all my life pretty much and my hearing is going.

Alex: Yeah, right around the same time I was falling in love with music a doctor told me I would need hearing aids.

Me: Man, how did you react to that diagnosis when you were just a little kid?

Alex: I don't think I properly processed it. I think I was too young to really understand.

Me: How old were you when that happened?

Alex: I think I was about 4-years-old when that happened.

Me: So, what do you remember about it?

Alex: I remember getting an exam and then being mold in my ears so they can get the size right, etc, etc. I think I did have a sense that this was not something that everybody had to use. I did have a sense that this was "clinical," I don't know if this is the right word. That feeling of going to the doctors office, that sterile environment where it's just me and some stranger doing exams and grading me on something. So I did sense that was something not normal about it.

Me: I interviewed Huey Lewis recently and he talked about his hearing loss. How did you you deal with yours?

Alex: As time went on I learned how to deal with it and accept it. Not to say at times it still stings a little bit. I still deal with that and in my life it's something I'll always carry with me but it's something I just learned to adapt to, if you will.

Me: I think it gave you a super power in a way about your career. Haha. Do you agree?

Alex: Perhaps. What I tell people is because I don't hear sounds, ambient noises as people's "normal hearing," I'm able to tune things out a lot more easily. I'm much more able yo focus on the thing that is right in front of me. I really have excellent tunnel vision when it comes to working on stuff. There will be times I'll be in my office starring at a computer screen, working on some music and my wife will be standing right next to me, just outside my peripheral vision for a good minute or two before I even notice she's there. I just get lost in what I am doing. Because of that I am able to zero in on what's in front of me and just really obsess about it and get down deep into it. So, I guess I suppose I have achieved some hyper-aware of music and sound because of my dreams.

Me: How would you describe your music, Alex?

Alex: By feel, by physicality, it's super percussive you hear with the Hamilton stuff. I think it's a body thing, more than an ears thing.

Me: So, it's the rhythm of the music that you feel?

Alex: Yeah, music is a very physical experience for me. If you ever see me play the piano my body tends to move a lot. My body moves, my hand movie. Even when I'm listening there are times I exclaim if I hear something I like I'm like "woo!" Or "whoa!" I bend backwards a little bit when something hits me a certain way. There are certain reactions that I can't really control.

Me: When did you start with musical theater, Alex?

Alex: I worked on Wicked and Avenue Q. That's where I formed this relationship with an up and comer named Lin-Manuel Miranda.

Me: So, what do you love about theater?

Alex: One of the thing I love about theater is about the process of creating and developing a show. It morphs and it changes.

Me: Give me an example that sticks out. Alex: The song "Blackout" from In the Heights I think of the many incarnations the intro went through. There was a version I remember when instead of this gradual build of them it was just everybody coming in at once going "whaaaaaaa!!!!" All the lines coming in at once because we wanted to symbolize what it felt after you you're in a club and the pier goes out, what would that be like? Then eventually we stumbled upon this stylistic idea that it may take a second, the power goes out and it takes a send of "what just happened? Oh, the power went out." In that there's a little gradual acceptance of dealing with it, etc, etc. And I remember it being important to me that we understand that there's been a blackout and actually physically say the word or hear it, and Lin came up with the idea of using that line first. "Oye, que paso? Vino el apagon, ay dios!" I love that it's in Spanish and I love how that one voice happens and the other people sing "Oh, my gosh" or "Oh, no." Whatever it is. It starts to pile on and we get this big quilt of different ideas to try to symbolize the mayhem that might be ensuing from all these people in a club. That's a long answer to your question, but that's what comes to mind about the work that goes into it and not getting it perfect the first time. And having to develop it and having to throw out ideas and come up with new ones and throwing them on people and seeing what comes out of it.

Me: In the Heights is gonna be a movie, right? It's a Spanish musical?

Alex: It draws on Lin's Puerto Rican heritage, yeah. I also grew up in a Latin-American family, a Cuban family.

Me: How helpful was that in the process of creating In the Heights?

Alex: For this particular show I can't over stress how fortunate I feel about that, how I grew up. Even the fact that I'm Cuban-American and Lin is Puerto Rican, and has Mexican heritage as well, we were able to just instantly bond just based on that. The fact that we were two Latin kids who are enjoying theater and trying to create something new. We just had a similar thing to draw from. Whether it was our language, whether it was our salsa music we were exposed to growing up. It's that thing where you meet someone for the first time and you feel that you've known them. Just instantly when I first met Lin I knew it was something we could bond over. I am confident that our relationship blossomed because we just had that instinctive base that was in our DNA that we didn't have to talk about. It certainly was just there, we we were just able to throw in Spanglish in our conversations and just make jokes about it. I just love how effortless that was and how great it was for me to be in New York City and be in musical theater and find someone who literally spoke my language. I would encounter friends like that every now and then, most of the people I knew growing up in Miami tried to make it to New York, but I didn't have a circle of Latino friends that who just really bond with and talk about our craft in that way. So it was a real blessing.

Me: So, I first heard about Hamilton was on "CBS Sunday Morning" in 2017 I think, or 2106, and I thought Hamilton wasn't Spanish or from Puerto Rico. What the hell? Then before I knew it everyone was into it... when Lin-Mianda first approached you with the idea and pitched it to you what did you think?

Alex: When he brought it in I recognized the verbal dexterity of it, and was like wow, this is really cool, about the craft of it. But at the same time I remember squinting my eyes and being like "is this serious? Is this tongue in cheek?" Because it seemed so outlandish, right? Like I didn't think to myself I'm going to marry American history with pop and condense a biography if you will into this four minute single. It wasn't until I heard the song "My Shot" a year later, there was something about that that I personally was able to see the drama of it more clearly right away. That's nothing to say the composition is better or stronger than the other but that's something to say something about "My Shot" once I heard that and once I saw history being personified in action and in chants and in passion of words and an idea. Meaning to be expressed and what would it take to get there and manifest it, I saw it and I felt it, and I was like oh, wow, American history is cool. I didn't love American history when I was in high school, I wasn't particularly good at it. But all of a sudden when these people looked like human beings, the way that Lin-Manuel was painting them, the way they were speaking a language that felt vizual and in a way that I can just relate all of a sudden something that would have been in black and white all of a sudden went to color for me.

Me: I asked my sister Lucy to describe "My Shot" in one sentence and she said, "I don't think I can so that!" So, what did you do for that song?

Alex: Arranged it, composed it, music directed it.

Me: How do you even start to arrange that many instruments and voices all together to tell a story? 

Alex: The first thing I want to say, Lucy is a genius. That means a lot. All I hear when I hear that song are Lin-Manuel's words and composition. The good news is that Lin-Manuel's demo was so well flushed out and so clear to me what it needed to sound like. The tempo is there and I see it all and I hear it all. It's not that I don't get ideas along the way, that I don't develop it as it goes, but I'm able to hear the drums are going to do this, the bass is going to hold the notes, and the guitar is going to start playing eight notes underneath it. I can't explain why that happens or why that is but I think a lot of it has to do with the groundwork that Lin-Manuel lays out. I heard people talk about the art and talk about inalterability of something and the sense of we hear something and that feels correct, complete and whole and whatever that is. I feel that when I hear Lin's songs and when at times the songs are still in progress, developing it as it goes, I see that the idea is always string enough for me I get a glow of it and be able to dive in and I hear what's around it.

Me: The movie Hamilton is now on Disney+. What do you think about it?

Alex: So, the finished product is so beautiful and I give massive credit to Tom Kail, our director. And I give massive credit to Jonah Moran our editor. It's a big daunting task to have at least seven cameras of material for the show. We have to decide which angle we're going to be looking at. Which moment are we going to decide to feature because we are trying to give one particular vantage point of the story. How do we choose? How are we able yo do that? That to me is my problem, because that could go anywhere, right? We could have a different editor behind the wheel and the finished project would be totally different. So it's very personal in that way and we have to try to figure out how to give the clearest rendition of the story as possible with these angles and these colors and these looks. I supposed that goes with arranging and orchestrating as well, right? On one hand when I'm listening to the cast album all we have to deal with is the audible experience, we have to make that as good as possible. The listener wold put on their headphones or listen through their speakers and make their own visual of what they think it looks like but here we are tasked with making this film, and we see the costumes, see the set, see the choreography, see the lighting, and we have to decide what it all needs to be and give that to an audience. So that is a herculean task I think and I'm extremely proud of what the product is and I think people enjoy watching it and feel like they're getting the experience of the totality of the show.

Me: Now it's on TV who needs to go see it live, right? What do you say about people that will think that?

Alex: To really experience Hamilton I think, the way it was intended, one needs to be sitting in the theater and feeling what that is, and I really long for the day that after the shutdown people are able to attend theater once more and enjoy the communal experience inside the theater and watching an actor with your very eyes walk the tightrope and perform that song without a net, but I think this movie would be the next best thing for people to have that live experience in their homes.

Me: I will try to watch it, or listen to it. Thanks for being on the Phile, Alex. Take care.

Alex: I hope you do. Thank you.




He said my sister Lucy is a genius. I bet she'll like that. She said the same thing about Alex. Anyway, that about does it for this entry of the Phile. Thanks to Alex Lacamoire for a cool interview. The Phile will be back on Monday with Phile Alum Alicia Keys. Spread the word, not the turd or virus. Don't let snakes or alligators bite you. Bye, love you, bye.

































I don't want you, cook my bread, I don't want you, make my bed, I don't want your money too, I just want to make love to you. - Willie Dixon

Wednesday, July 22, 2020

Pheaturing T Bone Burnett


Howdy, kids, welcome to the Phile for a Wednesday. How are you? Well, this is certainly a wild and unexpected story. Turns out a very amusing crook decided to pull off quite a crime, by literally stealing a giant dildo from a Las Vegas sex shop. Yes, you read that right, a giant dildo. What the unidentified man was going to do with this dildo it’s still unknown, but I mean, maybe he has a thing for sexual art or just really weird sex toys. The masked man was captured on surveillance footage in broad daylight as he went into the Deja Vu Love Boutique in Sin City on July 14th. He then nonchalantly just grabs the massive 3 foot tall, 40-pound dildo standing on the sales floor. Even just picks it up over his right shoulder and then leaves the adult store, cramming the said dildo inside his vehicle and driving off. You know, just a regular day in Las Vegas, nothing to see here. According to staffer Ryan Carlson, “the pandemic has encouraged even the scummiest of scumbags to steal the strangest products from the innocent businesses.” He noted, “This landmark item in our store is worth nearly $2,000, so if you happen to see a 3-foot penis sitting around, please turn in the 6-foot-tall dick who stole it. We can only hope that this thief finds Jesus and returns the item or the law finds him and throws him in prison where he belongs!” Apparently one of the store employees, Laura, who declined to give her name to the Huffington Post, the giant dildo is named, the Moby, because of course, it is. It is said to pay homage to Herman Melville’s classic Moby Dick. Pretty genius name if you ask me. The sculpture is apparently of steel on Amazon, where it is listed at $586 as the “world’s largest retail dildo.” According to the listing, “There may even be a soul out there brave or talented enough to use Moby as a traditional dildo. With this tremendous and truly unique cock, anything is possible! You are limited only by your kinky imagination.” Yep, that is it, ladies and gentlemen, this is officially the weirdest thing I have seen in 2020. I don’t know what’s going on in the world anymore, I really don’t.
There is nothing justifiable with child pornography, so I don’t want to say, “if I was committing this crime, I would simply do it this way…” But, how freaking stupid do you have to be to actually print your heinous stash of images of child pornography at Walmart? Clearly as stupid as these guys. In Ogden, Utah, a city 30 minutes North of Salt Lake City, a 33-year-old man has been charged for printing pornographic images at a Walmart photo center. According to the probable cause statement, witnesses reported to police officers that these pornographic images featured girls who appeared underage, and it doesn’t get any better from there. John Hughes, the sex offender found and taken into custody, had the audacity to tell the police department that he needed to print the images out to send to, “his homies who were locked up,” but is adamant that the girls in the pictures aren’t underage. Either way, this Utah man needs to realize how wrong this is. According to ABC4 News, the probable cause statement also mentioned that his vehicle fled from police because Hughes did this while on probation or parole. He is now being held in Weber County Jail without bail for third-degree felony charges, for distributing pornographic material. And if you think that this is a rare occurrence to be printing images of child exploitation at your local Walmart, think again. According to ABC21, another man accused of similar felony charges was caught printing off child pornography at another Walmart in Warsaw, Indiana, last summer. Twenty-six-year-old Brendan Chivington from Fort Wayne, Indiana, faced a count of child exploitation and child pornography each for printing 110 pictures that had nude images of girls apparently between the ages of 10-13 years old and young boys wearing only Speedo’s, posed in provocative positions. Internet crimes against children are seemingly never-ending, and the fight must continue. I can make fun of these idiots all I want for being so stupid, that they would go to their local Walmart to reveal their possession of child pornography. But videos of child pornography online and within the depths of the dark web are a big part of child exploitation, and it truly breaks my heart for these victims. If you know or suspect anything about sort of sexual assault, child abuse, or child exploitation, don’t hesitate to reach out to law enforcement immediately.
The body of a Fort Hood Soldier was found by a lake near the military base, marking it the third time in a month that remains of a service member from the Texas base have been found. According to authorities, Pvt. Mejhor Morta was found unresponsive on July 17th in the vicinity of Stillhouse Hollow Lake. Stillhouse Hollow Lake is a reservoir located in Bell County and is managed by the U.S. Army corps of Engineers’ Fort Worth District. The 26-year-old was a private from Pensacola Florida and had joined the army back in September 2019 as a mechanic. In regards to his death, Lt. Col. Neil Armstrong, commander of the 1st Battalion 5th Cavalry Regiment, stated, “The Black Knight family is truly heartbroken by the tragic loss of private Mejhor Morta. I would like to send my heartfelt condolences to his family, friends, and loved one.” Armstrong did note that Morta was “a great troop” and the entire formation is now mourning the Fort Hood soldier’s death. As far as how the 26-year-old died, Army officials have not provided any information on the cause of death. The soldier was assigned to 1st Battalion, 5th Cavalry Regiment, 2nd Armored Brigade Combat Team, and 1st Cavalry Division since May 2020. Morta’s awards and decorations include Global War on Terrorism Service Medal, Army Service Ribbon, and National Defense Service Medal. The Bell County Sheriff’s Department is now investigating the incident, but have not released any further information. This isn’t the first time Fort Hood has made national headlines in regards to a soldier’s death. On July 1st, investigators found human remains that were later identified as Vanessa Guillen, the 20-year-old missing Fort Hood Soldier. Guillen was found 20 miles east of the base. Fort Hood Soldier Aaron Robinson, who is a suspect in the case, shot and killed himself as police were on their way to arrest him. A woman, later identified as Robinson’s girlfriend, was arrested and has pleaded not guilty to federal charges of tampering with evidence. On June 21st, other skeletal remains were found in the field and Killeen, 10 miles from Stillhouse Hollow Lake. The remains were identified as 24-year-old missing Fort Hood Soldier Gregory Morales. U.S. Army officials stated that they suspect foul play in his death. Despite the findings, there is no indication that Morta’s death, along with Morales, and Guillen are connected. Due to the findings, members of Congress have now joined advocates for women to continue the call for changes and how the military handles harassment and sexual abuse claims following the death of Guillen.
A Minnesota woman was filmed climbing into an alligator pit at the Safari North Wildlife Park in Brainerd, Minnesota with her son in tow to grab her wallet, which had been dropped in the enclosure. Ashlynn Morris, a zoo-goer who filmed the incident, posted her videos to Facebook and wrote about what she witnessed. In the videos the woman can be seen circling enclosure’s pond, which has about a dozen gators in it, trying to figure out how to retrieve her wallet. Her son, meanwhile, meanders around the pond on his own, seemingly exploring the alligator cage out of curiosity. At one point the boy tiptoes up to the edge of the water. Though the alligators are clearly not full-grown they’re more than big enough to cause serious injury. Other children at the zoo can at one point be heard warning the little boy that he’ll get bitten if he gets too close to the water. The woman is eventually able to retrieve her wallet by throwing rocks into the water to scare off the gators. She and her son then climb back over the enclosure’s fence, at which point she yells at her son for following her into the gator cage. The Safari North Wildlife Park had no idea the incident occurred until the video went viral. Zoo officials said they were disturbed by the incident and if the woman is identified they say they intend to press charges against her for child endangerment.
A California woman upset with a Verizon Wireless store’s mask policy decided to protest their unjust insistence that customers wear liberty muzzles if they wish to enter the store by liberating herself from her pants and then peeing all over the store’s floor. Roseville Police were called to the Verizon store off Galleria Boulevard in Roseville, California (a suburb of Sacramento) after store employees called 911 twice to report that, first, a group of three people were refusing to wear masks and refusing to leave the store, and then, later, that one of the members of the group, a woman, was taking her pants off and urinating in the store. CBS13 played a recording of the 911 dispatcher talking to police on their newscast. Police arrested the woman in question and, after searching her car, found stolen items from Dick’s Sporting Goods. A Verizon representative told CBS13 that the urination incident was not only in response to the company’s mask policy but would not comment further about any other motivations or what happened. Apparently there might be more to this story than just, “NO FACE PRISONS FOR ME SHEEPLE DRINK MY PEE YOU FASCISTS.” Regardless, masks making people crazy is by far the most puzzling American trend in my lifetime. It’s just such a bizarre place to make a stand. I at least understand not wanting to close your restaurant’s dining room or feeling like you’re being imprisoned by a shelter in place order. The mask stuff, on the other hand, is pure conspiracy tin foil lunacy that has somehow gotten kind of mainstream. Presumably, this Verizon store is carpeted which leads one to wonder, which would be worse to deal with as an employee? A customer peeing on a carpeted floor or a hardwood/tile floor? The hard-surfaced floor would definitely be the grosser one to witness. The puddle would spread rapidly and be bright yellow. Plus there is more splash. But the carpet absorbs the hate. Ghosts of that pee, real and imagined, will linger for days.
So, once in a while when I'm bored I go on Twitter and look up certain words. Recently I looked up "Foghat" and saw this tweet...


What about them? It's good to see Trump finally wore a mask...


Apparently Nicolas Cage visited the White House recently...


Hahaha. Maybe they were making another of those National Treasure movies. Ivanka turns out not only likes Goya beans, her brother likes them as well.


That's really dumb. Hahahahaha. This made me laugh... kids are using puns to prank their parents. Like this one...


That's brilliant, kid. Now from the home office in Port Jefferson, New York, here is...


Top Phive Stupid Things That Were Said Out Loud In Public
5. I don't need to get vaccinated, my dad's a chiropractor.
4. What animal is a ham?
3. Pigs don't have blood.
2. The moon’s distance from the Earth is less than 100 kilometers.
And the number one stupid thing that was said out loud in public was...
1. In retaliation for 9/11 we should bomb the Taj Mahal.




If you spot the Mindphuck let me know. So, crazy shit happens in this state of Florida that happens no place else... like this story.


A black Florida woman was confronted in Pasco County, Florida for wearing a mask in public by another woman who was apparently tired of watching herds of sheeple walk around her state wearing government-mandated face prisons to stop a made-up virus. The angry anti-mask woman told her African-American, mask compliant fellow Floridian that she was being a “good little slave” by wearing her mask in order to curb the spread of coronavirus. The black woman, immediately and understandably offended by this, pulled out her phone and started filming the confrontation, asking why the anti-mask woman felt it was appropriate to say something so racist. The anti-mask woman proceeded to argue that she is Mexican so she can’t be racist, or something. The mask-wearing woman, apparently named “Meg” according to her Twitter account, recounted the details of the confrontation before linking the video.


Whyyyyyyyyyy. What’s the point of any of this? Is there a national hobby deficit that I’m not aware of? Someone get this anti-mask lady something else to think about. Way too many people don’t have enough to do, even before stuff shut down. Imagine thinking wearing a mask was your Bunker Hill. Your Alamo. It’s a face mask, you losers.



Dogs probably destroy shoes because they see humans put them on before they leave the house.



On Monday's Phile I asked who said "I bet I can eat nachos and go to the bathroom at the same time!"? If you thought it was Bender, then you were right. But admit it, you thought Trump could've said it. Speaking of Trump...


President Donald Trump yesterday offered sympathetic words to Ghislaine Maxwell, the longtime companion of Jeffrey Epstein who stands accused of facilitating the abuse of girls by the now-deceased sex offender. “I just wish her well, frankly,” Trump said when asked about Maxwell during a news conference. Maxwell, 58, was denied bail last week and is to remain behind bars as she awaits trial on charges she recruited girls for the financier to sexually abuse more than two decades ago. The British socialite was a romantic partner of Epstein, who killed himself in prison several weeks after being charged with sex trafficking. An indictment alleged that Maxwell groomed the victims to endure sexual abuse and was sometimes there when Epstein abused them. It also alleged she lied during a 2016 deposition in a civil case. Epstein associated over the years with many high-profile figures in politics and business, including Trump, former President Bill Clinton, Prince Andrew of Britain and the retail mogul Leslie Wexner. “I’ve met her numerous times over the years, especially since I lived in Palm Beach, and I guess they lived in Palm Beach,” Trump said of Maxwell. Epstein pleaded guilty in 2008 to state charges in Florida of procuring a person under 18 for prostitution and felony solicitation of prostitution. He served 13 months, most of it on work release program at a county jail.


The 132nd book to be pheatured in the Phile's Book Club is...


Phile Alum Alicia Keys will be on the Phile on Monday. Okay, let's take a live look at Port Jeff, shall we?


Looks like a nice evening there, but what's with the police truck? Hmmm. Okay, wanna laugh?


A blonde heard that milk baths would make her beautiful. She left a note for her milkman to leave 25 gallons of milk. When the milkman read the note, he felt there must be a mistake. He thought she probably meant 2.5 gallons. So he knocked on the door to clarify the point. The blonde came to the door and the milkman said, "I found your note asking me to leave 25 gallons of milk. Did you mean 2.5 gallons?" The blonde said, "I want 25 gallons. I'm going to fill my bathtub up with milk and take a milk bath so I can look young and beautiful again." The milkman asked, "Do you want it pasteurized?" The blonde said, "No, just up to my boobs. I can splash it on my eyes."



This is so cool! Today's guest is an American record producer, musician, and songwriter. His latest album "The Invisible Light: Acoustic Space" is available on iTunes, Amazon and Spotify. Please welcome to the Phile... T Bone Burnett.


Me: T Bone! Welcome to the Phie, sir. How are you?

T Bone: Hello, Jason. Its good to be here. I don't do too many interviews so I hope it'a good one.

Me: Me. Too. So, your latest album "The Invisible Light: Acoustic Space" is the first album of new studio songs in over a decade. What made you decide to do an album now?

T Bone: Well, about five years ago Marshall Brickman called me up and said would I be interested in writing music for this play he was writing. It was a musical about the people who played Roy Rogers and Dale Evans. I felt no one even knows who Roy Rogers and Dale Evans were anymore so I felt like telling that Roy Rogers was the biggest singing cowboy star of the 1940s. He was a Jimmy Rogers not impersonator but he was heavily influenced by Jimmy Rogers. He was a great yodeler as well.

Me: I actually was in New York City in 2010 and was at Sothebys and the Rogers estate was auctioning off a lot of the stuff they had, including a stuffed Trigger! So, how was it working on the play?

T Bone: That's funny. He was a great rider as well. He did all the trick riding in his movies he did himself. The people who played them had much more intestine lives than the people they played. So I said I'll do that and said I better study this if I was going to do a musical because there's so much history there I didn't want to just come in like I know what I'm doing and not know what I'm doing. So I started studying Frank Loesser who I think is probably the greatest of all the musical composers. It scared me so I started writing, I started to get up at four every morning and writing for four or five hours before anyone else woke up. It took me a year to write 18 songs that became songs for the play.

Me: So, how did this play lead to this album?

T Bone: Well, when I got through with that I was such in the habit of getting up at four in the morning I just continued. And at this point I've written about a hundred new lyrics and songs.

Me: You did this album with Jay Bellerose and Keefus Ciancia. Who are those guys?

T Bone: I worked with Keefus and Jay for many years and I always thought their sounds were so extraordinary but they're always blended in with all these other sounds. Nobody gets to hear them raw, and how big they are and how interesting they are and what great musicians they are. So I felt I want to do a record with the two of them and I went in with these lyrics and we just started composing together and improvised in the studio.

Me: How much music did you guys record for the album?

T Bone: A couple of years ago we went into the studio and recorded about two hours worth of music and adding to it and working on it. "The Invisible Light: Acoustic Space" is the first of the three records that we are working on.

Me: Are they linked as one theme or just by the musicians?

T Bone: Well, both. Thematically I've only written about one thing in my whole life which is essentially self delusion. At this point I know more about it then I did when I was a kid. I've never had a spell of writing like this and I don't want to stop. I just want to keep going until I drop. I feel this music is what I need to do at this point in my life. I've hidden behind other people for most of my life. I had no ambition to be a performer when I was young and I've always been ambivalent about the whole public performer, celebrity routine. But at this point, it's irrelevant to me. I want to do this, I want to play and record and write and sing.

Me: What genre would you out this album in?

T Bone: Well, look at it this way. I look at it partially as folk music. It's certainly folk music and electronic music hybrid. I think of it as trance music.

Me: What kinda instruments are used on the album? I don't really hear any normal instruments, or drums.

T Bone: The drums were the first folk instrument. When this thing was going on in the village the drums would be doing this and in the next village they would know not to come over and to come over. So drums were used to communicate over long distances. They were the first communication technology so to speak. So it has this folk elements and Keefus is playing sounds. Very seldom does he play any recognizable sound in fact. So it's a blend of this two things.

Me: Is this music composed or do you just make it up as you go along?

T Bone: It is improvised. We just start with a lyric and I start with the rhythm and feel of the lyric and then it just starts happening.

Me: I didn't know you did the music for HBO's "True Detective." Is that music similar to this new album?

T Bone: Absolutely, yes it is. We've been freed up by "True Detective" I think. Nic Pizzolatto is the beautiful writer behind the show, he's also very respectful of the other artists. He's not one of these control people so he finds people who he thinks is really greta and doing what they do and he lets them do it. His confidence in us and his willingness to collaborate in that way has freed us all up. I think this music is the freest music I've ever been a part of. It's the closet to Mile Davis' "A Tribute to Jack Johnson" or something like that, I love that period of Miles.

Me: Did you always want to do a jazz kinda thing?

T Bone: Yeah, I always wanted to do something like that and I think we're finally getting into that world of jazz. I don't think people would call this jazz really either.

Me: Do you like working in film and TV? You have done a lot of that.

T Bone: One of the things I like working in film and television is it's all about feeling. The reality is the people, if the audience loves the character it doesn't really matter what the story is.

Me: Why do you think that is?

T Bone: Because it all grows out of the feeling of the character. So the when we're strong, like in the most recent season of "True Detective," 85% of the score grows out of how is this person who's retreating into dementia. Some people said it's like horror movie music. The hours is dementia.

Me: How old were you when you first started to get into music and who did you like?

T Bone: I was 14-years-old at the Skyliner Ballroom in Fort Worth, and the house band was Ray Sharpe, who had a hit single called "Linda Lu," a song I went on and did myself.

Me: You did a version of "Linda Lu"? Foghat did as well, but called it "Linda Lou." Did you really like that song?

T Bone: One thing I'll say about that song that I find interesting, it's a subversive song. Ray was African-American had a girlfriend called Linda Lu who was Caucasian. And back then, maybe still, the African-American community would call a white girl "Patty." That's why he's saying "they call my girlfriend Patty but her real name is Linda Lou."

Me: Ahhhh. I never knew that. I wondered if my dad knew that when Foghat recorded a version of that song. That was kinda brave of Ray Sharpe, right?

T Bone: Yeah, he was putting right out. He said, "I'm going out with a white girl, what are you going to do about it?"

Me: What was it like living in Fort Worth, Texas back then?

T Bone: Fort Worth was the first town, of not one of the first towns in he south, certainly the first town in Texas to integrate and accept the black community into the white community. When I was kid if I went down to the department store their would be black and white water fountains which freaked my little kid mind out. I couldn't fathom that. It ended very quickly, but the time I was 10 that was all gone. We used to go to black clubs to hear music when we were kids and the Skyliner was a ballroom hat was built probably in the 40s for those big dances they used to have with a large dance floor on springs. But at this time it had fallen on hard times. Jack Ruby owned it who was the Dallas gangster who shot Lee Harvey Oswald at the police station.

Me: Holy shit! That's crazy. So, did you know a lot about Jack Ruby then?

T Bone: Jack Ruby had a girlfriend named Tammi True who was an exotic dancer, we call them strippers now. She was agent stripper and being 14 and hearing that great music and seeing those strippers changed my life for the better.

Me: What other shows have you seen at the Skyliner Ballroom?

T Bone: I've seen one of the greatest shows in my life there, which was the Ike and Tina Turner Revue.

Me: They recorded an album that was live at the Skyliner Ballroom. Was that the show you were at? 

T Bone: Yes, it is. One off the things I realized many years later when the Internet happened was I could find those records again that had disappeared. I put on that record and I remember the sound of the Skyliner Ballroom and I realized every record I ever made I was trying to reproduce the way I felt and the sound and resonance and ambience of the atmosphere of that place. It was just a wild great place.

Me: How old were you when you were at Ike and Tina Turner show?

T Bone: I was probably 17 or so.

Me: Are you still trying to capture that in this new record as well?

T Bone: Yeah, it's certainly grown and it's different now but yeah.

Me: So, who was one of the biggest musical influences on you?

T Bone: Burt Bacharach was. He's sort of one of our all time greatest songwriters and extraordinary orchestrator. But also growing up in Fort Worth I was comfortable on stage, I wasn't what I wanted to do but listen to "Walk On By," man, that's one of the most extraordinary records ever made. Dionne Warwick's "Walk On By" is one of my top 10 favorite records ever. He wrote music for movies, he got extraordinary singers to sing his songs, he produced them and I thought that's what I should do. I should follow Burt Bacharach, and I have. I'm doing my own version of it and certainly the songs are not as sophisticated, the arrangements are not so much worked out and smooth like the stuff he was able to do. But I ended up writing music for movies and getting great singers to sing the stuff.

Me: So, I read that you toured with Bob Dylan. Is that true and what was that like?

T Bone: Yes, I did on Bob Dylan's Rolling Thunder Revue Tour in 1976. I played guitar and piano on that notorious tour. For better or for worse that's where Bob discovered me. I think the image that burnt the most into my mind was we were in Plymouth, Massachusetts and we were in a little five hundred seat playhouse and we played for about 20 or 30 minutes and in the middle of one of the songs Bob took out his harmonica and started playing and the roof came off the place. The audience response to his playing harmonica was like a jet plane talking off. It was really loud. It was only five hundred people and it was extraordinary. I am deeply grateful to Bob for everything he taught me. I've had the extreme good fortune to have extraordinary teachers all through my life and he was one of the early ones.

Me: You worked on one of my favorite albums of all time "Spike" with Elvis Costello, who I had on the Phile last April. What was it like making music with Elvis?

T Bone: Well, Elvis Costello was another great teacher. Several of the things I learned from him was to get back to the initial bravery that I had when I started. The ability to put two things together that don't go together and find a way to make them work. And to be fearless in that. Elvis would do a vocal, then he would do another vocal with a completely differ voice and he would combine them so from one line to another there would almost seem to be a different person singing. I gotten to a point when we were working together I got a little more controlled. I've been working with Los Lobos and other bands in Los Angeles and the whole Los Angeles record business was sort of co-defining things and making things more controlled and Elvis came into that and blew it all up for me and a lot of us. I got back to that sense of audacity, just like not having to conform.

Me: You produced the songs for the movie O Brother, Where Art Thou?, which is a movie I know the music but never seen the film. What was it like working on that soundtrack?

T Bone: The thought behind it was to regenerate, retexturize, reframe that music was just an important part of all of our lives. Folk music has ebbed and flowed but has been a constant all of my life and throughout the whole 20th century. Tchaikovsky was using folk music, all the modernist composers were using folk music. That was the ideas, to approach it like Bartók did. That sounds completely pretentious but that was the idea to approach it. One of the realizations was we had at a time radio was not accepting this kind of music at all. Those movie theaters were good "radio stations" People were sitting in the dark with great sound systems and we were able to put another octave or two on the bottom of this music that had never been there before. People were used to hearing it in this very narrow spectrum and we expanded it on the top and the bottom and make it punchier and more like rock and roll and like people could hear today.

Me: You worked with Roy Orbison, what was he like to work with?

T Bone: If you stood three feet way from him you couldn't hear him. He sang so quietly. Also from Fort Worth by the way. It was all tone and all intensity. Another interesting thing about him, when he recorded he didn't put his voice in the headphones. He has the band in the headphones. He had learned in the early days of rock and roll when they didn't have monitors, he learned just to feel the notes with his jaw he said. That's part of it, he just had this extraordinary contained way of singing. 

Me: When you go into a studio with someone that already has a career what is your mind thinking, to try and do something different with them or the same that they are known for?

T Bone: Most of the time I go backward to go forward. I go back to the time when I first fell in love with those people. I remember seeing Willie Nelson at Panther Hall in Fort Worth when he was playing with Wade Ray and all of those beautiful songs like "Crazy." I remembered the energy of that and the purity of it. I generally go back to that and say how do we reframe that now. It starts with that thought.

Me: What's the biggest thing people do wrong when they make a record?

T Bone: I think they try to make it perfect. And perfection is a second right idea. They're trying to make something beautiful and trying to make something human I think is preferable to trying to make something perfect. No to mention it's so easy with ProTools and digital record, its easy to make something prefect. They can just put a plug in, there should be a plus in called perfect.

Me: Is there someone you aways wanted to make a record for but never have?

T Bone: No, not really. I never thought of that. Probably the people I'd like to make a record with or for are gone by now.

Me: What about Bob Dylan?

T Bone: Bob doesn't need me, I'm his follower. He doesn't need to follow me.

Me: What's the most important thing about making a record do you think?

T Bone: I go for the groove I have to say. It's that simple. I just look for the feeling and the groove. With the exception of Stardust Cowboy which was not a groove. Listen to "Linda Lu," that's a stern groove, man.

Me: T Bone, sir, it's great to have go here on the Phile. Please come back again.

T Bone: It was great to be interviewed by you. You did a great job. It was fantastic, man, it was really fun. Let's do it again, let's do some more down the road.

Me: Definitely. Thank you.




That about does it for this entry of the Phile. Thanks to T Bone Burnett for a great interview. The Phile will be back on Friday with Alex Lacamoire. You Hamilton nuts will know who he is. Spread the word, not the turd... or virus. Don't let snakes and alligators bite you. Bye, love you, bye.

































I don't want you, cook my bread, I don't want you, make my bed, I don't want your money too, I just want to make love to you. - Willie Dixon

Monday, July 20, 2020

Pheaturing Robert Glasper


Hey there, kids, welcome to the Phile for a Monday. How are you? Do you know what 2020 is? It's the blind date that showed up and turned out to be your cousin. Hahaha. If you have the opportunity to surround yourself with good people and get involved, I hope you seize that. Not everyone is blessed with the opportunity to have a great community around them, but it could not be more clear what a community can do when coming together to help someone out. In San Jose, California, a certain neighborhood came together to really support their usual postal worker. Nanh, a postal employee with the United States Postal Service (USPS) is familiar to this San Jose neighborhood as the honorary mail carrier who delivers their pieces of mail. And they obviously really appreciate her parcel delivery skills. So what did they do? There’s no doubt that COVID-19 has shut down, halted, and cancelled essentially everything. But you know what you can’t postpone? Having a baby. And that’s why staying involved with your community is so important. Nanh, this U.S. postal service employee, was just carrying out her mail delivery as usual, seeing that many essential workers like her are still working through the pandemic. However, not only is Nanh delivering mail, but she’s also pregnant with her 4th child. Can you imagine being pregnant during a global pandemic while delivering mail in this hot summer? Not exactly ideal conditions for this mama. But her community did the sweetest thing for her and threw her a baby shower. So how did they pull this off in the midst of this madness? They all decorated their front yards with baby decorations and gifts so that Nanh could enjoy her baby shower while on her mail route. Karen Mettler, one of the people from the community, told Good New Movement, “Nanh worked extra during the pandemic as there were so many deliveries.” Check it out...


Yikes, look at how creepy this fish looks.


A fisherman in Malaysia recently shared his latest catch which has a surprisingly human-like set of teeth. The photo was posted to Twitter by user @raff_nasir on July 2nd. The picture quickly went viral on social media as people began to comment on the lips and human-like teeth of the specimen. According to experts, the fish has been identified as a tigerfish, of which there are 40 other different types. Tigerfish are reportedly very territorial and aggressive, charging at intruders and using their teeth to battle sea urchins and crabs. According to National Geographic, the odd-looking creature is known as ikan jebong or ayam laut. The bizarre fish is said to be highly sought for the aquarium trade which leads to fishermen gathering the threatened species. These funny and creepy looking fish live in tropical and subtropical waters. Males are mostly known to be territorial and aggressive, charging at any intruder if they feel threatened. The species can grow to be around 3.3 ft, the largest being the ‘stone tigerfish’ which is found in the Eastern Pacific from Chile to Mexico. Usually, these fish are “attractive animals” and have become “too popular for their own good.” Because well, just look at those creepy chompers! Experts at the World Wildlife Fund confirmed the fish as a Blackpatch tigerfish (Rhinecanthus verrucosus) because of its very distinctive orange side stripes. A Spokesperson for the WWF started, ‘It’s a well-known species with a wide distribution from Seychelles to the Great Barrier Reef, which would include Malaysia.” I guess this goes to show us that we really don’t know what is down in the deep, deep parts of the ocean. If there are other fish like this… I think I’ll stay out of the water for a bit. This is just scary and gross at the same time. What’s next, fish with hands and feet? Nah, not today! We have enough with piranhas.
Teams of military medics were deployed in Texas and California to help hospitals deluged by coronavirus patients, as Miami area authorities began stepping up enforcement Friday of a mask requirement... echoing efforts in many parts of the world to contain surging infections. In California, military doctors, nurses and other health care specialists were being deployed to eight hospitals facing staffing shortages amid a record-breaking case numbers. In Houston, an 86-person Army medical team worked to take over a wing of United Memorial Medical Center. Several states have been reporting record numbers, contributing to a surge in the national death rate. The seven-day rolling average for daily new deaths has risen 34% from two weeks ago, while the case count in that period shot up 43%. Florida reported 128 new deaths Friday and 11,345 new cases. Texas reported 10,000 new cases for the third straight day Thursday and 129 additional deaths. California reported its largest two-day total of confirmed cases, nearly 20,000, along with 258 deaths over 48 hours. There were signs across the Sunbelt that the virus was stretching authorities’ capacity to respond. The medical examiner’s office in metro Phoenix has gotten portable storage coolers and ordered more to handle an influx of bodies... reminiscent of New York City at the height of the pandemic there earlier this year. In Florida’s Miami-Dade County, the county commission unanimously approved an emergency order giving all code and fire inspectors authority to issue tickets of up to $100 for individuals and $500 for businesses not complying with guidelines to wear masks and practice social distancing. Police officers already had this enforcement power. “We’re going to put a heck of a lot of people out there,” said Mayor Carlos Gimenez. “Our people are going to go everywhere.” Gimenez said that too few people, especially younger people, have been following the “new normal” guidelines, so the county needed another enforcement tool. Meanwhile, a Florida state legislator, Republican Rep. Anthony Sabatini, filed a lawsuit Friday against a mask ordinance in Pinellas County, home to St. Petersburg and Clearwater. About 100 people in support of his stance rallied in front of the county courthouse, some holding signs saying mask requirements are unconstitutional. At least half of the 50 states have adopted requirements for wearing masks or other facial coverings. But in Georgia, Gov. Brian Kemp has banned cities and counties from requiring face coverings. He sued Atlanta late Thursday to prevent it from defying his order, but Atlanta Mayor Keisha Lance Bottoms said she was prepared to go to court to maintain the local mask requirement. Worldwide, governments are frantically trying to prevent and put down fresh outbreaks and keep their economies running as the pandemic accelerates in some regions and threatens to come roaring back in others. Globally, confirmed cases numbered more than 13.8 million Friday and COVID-19 deaths totaled more than 590,000. To cope with the pandemic’s fallout, the United Nations said it is increasing to $10.3 billion its appeal for humanitarian aid funding. Jens Laerke, a spokesman for the U.N. Office for the Coordination of Humanitarian Affairs, said in Geneva that the number of people who need humanitarian assistance has more than doubled during the pandemic... from around 110 million to about 250 million. India’s total confirmed cases surpassed 1 million, the third-highest number behind the United States and Brazil, and its death toll reached more than 25,000. That followed Brazil’s announcement Thursday evening that its confirmed cases exceeded 2 million, including 76,000 deaths. The continuing surge of new cases in India... where experts believe the vast majority of cases are still being missed... drove home concerns over the readiness of some countries to cope with outbreaks that could overwhelm hospitals and test feeble health care systems. The government ordered a weeklong lockdown in the technology hub of Bangalore after confirmed cases there increased exponentially. In sub-Saharan Africa, which already had the world’s greatest shortage of medical personnel, nearly 10,000 health workers in 40 countries have been infected with the coronavirus, the World Health Organization said. More than half of infected workers are in South Africa, where most of the continent’s infections are as well. Israel on Friday reimposed sweeping restrictions to tackle a new surge in what Prime Minister Benjamin Netanyahu called “interim steps” to avoid another general lockdown. Stores, malls, barber shops, beauty salons, beaches and tourist sites will also be closed on weekends. Public gatherings will be limited to 10 people indoors or 20 outside. New virus cases have soared in Israel since restrictions were lifted in late May. The country reported around 1,900 new cases on Thursday. Japan’s capital recorded a single-day record number of new coronavirus cases for a second straight day on Friday with 293. Tokyo was taken off a list of places around the country where discounts are offered under a government scheme to encourage domestic tourism. Spain, which earlier in the pandemic was one of the world’s hardest hit countries, was grappling with more than 150 active outbreaks, most of them in the northern Aragon and Catalonia regions. Health authorities asked the 5.5 million residents of Barcelona, the regional capital of Catalonia, to stay at home as much as possible to stem the virus’ spread. They also announced a local ban on social gatherings over 10 people, and nightclub and gym closures. Spain reported 580 new cases Thursday, the highest daily number since May 10th. British Prime Minister Boris Johnson charted a different course, announcing that as of August 1st the government was no longer asking people to avoid public transit and would stop advising workers in England to work from home. Keen to reinvigorate the economy, Johnson wants to see struggling businesses that rely on office workers rebound. The U.K.’s official death toll, which stood at more than 45,000 as of Friday, has for several weeks been the highest in Europe.
A 6-year-old Wyoming boy is being hailed as a hero for getting in between his younger sister and a charging dog and nearly losing his life in the process. The hero of the hour, Bridger, was with his sister when another family’s dog charged at the pair. Bridger acted immediately, jumping between his sister and dog. The dog lunged at Bridger and began biting him on the face and head repeatedly. Still conscious and somehow with his wits about him, Bridger then grabbed his little sister by the hand and ran from the dog to keep the pair safe. As Bridger’s aunt Nikki Walker tells it on her now-viral Instagram post, if it weren’t for her nephew, whose bravery well exceeds his years and size, her little niece would be dead. When asked why he jumped in front of his sister to protect her from the dog, Bridger said, “If someone had to die, I thought it should be me.” After Nikki’s post about her unbelievably heroic nephew blew the Internet up. Word of Bridger’s incredible heroism eventually reached Earth’s Mightiest Heroes, the Avengers. Bridger got a video from Captain America himself, Chris Evans, congratulating him on doing whatever it took to protect his sister. And not only that, Cap is sending Bridger an official, legit Captain America shield. Cap might have been outdone by the youngest Avenger, however. Actor Tom Holland aka Peter Parker aka Spider-Man gave Bridger a call as well. According to Bridger, Spider-Man is his favorite Avenger. So, to reward Bridger for his bravery, Tom Holland invited the pint-sized hero to the set of Spider-Man 3 when they start filming... whenever that will be.
A Michigan man was killed in an officer-involved shooting after he allegedly stabbed a person during a dispute over wearing a face mask inside a convenience store. According to Eaton County Sheriff Tom Reich, 43-year-old Sean Ernest Ruis wasn’t wearing a mask inside the Quality Dairy store when he got into a heavy confrontation with a customer who was wearing one. When confronted by a 77-year-old customer who was wearing a mask, Ruis got angry and allegedly pulled out a knife and stabbed the man, seriously injuring him. An Eaton County Deputy then pulled Ruis over in Delta Township, near Lansing, a half an hour later. That’s when Ruis jumped out of the car and then aggressively approached the deputy while wielding two knives and a screwdriver. Afraid for her safety, the deputy shot Ruis as she backed away from the suspect. The incident was captured on the deputy’s body camera. The video shows the officer is repeatedly heard asking the man to drop the knives before she opens fire. The deputy involved was not injured and has been placed on administrative leave and the police department is conducting a review. The Michigan State Police is also conducting a separate independent investigation, citing deadly force, and is leading the investigation into the stabbing incident. Through a statement, Sheriff Tom Reich stated he believed Ruis intended to violently attack the deputy during the traffic stop. The deputy was seen backing away from the man, repeatedly ordering him to drop the weapon, but he “continued to advance and attack.” According to Reich, the woman acted in defense of her own life. Ruis was transported to a hospital where he died. As far as the 77-year-old man, he was hospitalized and treated for his stab wounds and is in stable condition. Authorities have yet to release the name of the 22-year veteran with the sheriff’s department. The incident occurred one day after the governor’s executive order making wearing a mask mandatory in all indoor public places came into effect, due to the rising COVID-19 cases. Gov. Gretchen Whitmer’s order requires any business to deny the entry or service of those who refuse to wear a mask covering “with limited exceptions.”
Instead of doing this blog thing I should be listening to this album...


Ummmm... maybe not. This is odd, Ivanka Trump posted another pic holding a can of Goya beans.


What's the difference between a garbanzo bean and a chickpea? Daddy never had a garbanzo bean on 
his face. Haha. Her dad also seems to love Goya...


Trump 2020: Black Beans Matter. You know that's what he's thinking. At least he has been wearing mask's lately...


I have no idea what he wants to do here though...


It doesn't look good. So, the Washington Redskins have changed their logo and name. Check it out...


What do you think? Okay, so, most of you know my normal "costume" is a t-shirt, shorts and either sneakers or flip-flops, right? Well, I'm thinking of going for a new look. How about this one?


Ummm... maybe not. There's some sad food items no one wants to buy even while shopping for a pandemic. 


Even in the apocalypse nobody wants ham and pineapple. I, myself, love ham and pineapple pizza. 
No working parent has an easy time separating their career from their home life, and this dad is no exception. A man emailed the Phile looking for advice about whether he was in the wrong after he refused to cut a work trip short to visit his daughter in the hospital. She was suffering from anorexia and he isn't sure whether she was being "destructive" for "attention" or not. Yeesh. The dad spoke to his daughter shortly after the hospitalization.


"I get a call yesterday from my wife that my daughter has been hospitalized for anorexia. She fainted while hiking with her boyfriend. My wife says that our daughter wanted to talk to me, so she hands over the phone to our daughter and we talk for a bit." But he explained that his business trip would keep him out of town until August. "My daughter asks that I come to the hospital, but I happen to be on business trip, and was scheduled to be in that city until August. The associate that accompanied me from my office is relatively new to the firm, and I feel like I need to be there should questions come up on her end. So I tell my daughter that I had work stuff I couldn’t miss, and that she needed to focus solely on herself." His daughter was seemingly devastated. "She starts bawling and that sneaking feeling comes up once again that a lot of the destructive things she does is a ploy to get attention. My wife accuses me of wanting to spend time with the new office hires, and for being part of our daughter’s problem." He turned the tables on his wife. "Yet from where I’m sitting, my wife is the one who has been losing significant amounts of weight in the last couple of years to the point that she’s pale. Yet I keep my mouth shut about that while she continues yelling at me. I finally have enough and hang up before I say something I’ll regret." Now he's looking for validation. "Am I wrong for not cutting my work trip short? I feel like if I did, I wouldn’t be much help in my daughter’s problem and if she is doing this for attention, it will only encourage her in the future." Sir, there's no room for debate. You are wrong. Your daughter needs you. She has a life-threatening illness and you consider it a "ploy to get attention"? Oh. My. GOD. "That sneaking feeling comes up once again that a lot of the destructive things she does is a ploy to get attention." I can't help but wonder what other trauma this poor girl has already survived, that was dismissed by you as a grab for attention. If she ends up in hospital for "wanting attention," she PROBABLY NEEDS ATTENTION.   You could just legitimately love your job more than your family, it would explain why your daughter has a life threatening illness, and your wife is desperately trying to lose weight so you might pay attention to her. No less wrong for it, but it isn't always the young women that's the attraction. Anorexia kills people and your daughter is starving herself. Your insinuation that you need to deprive your daughter of attention in a critical moment in her life to teach her some sort of lesson is awful and wrong. Your daughter is literally in the hospital during a global pandemic. She’s not doing this for attention, this shit is SERIOUS. You’re supposed to be away until August? Cool, take four days off. You’ve still got time to come back and put out fires at work... AFTER you go and take care of your daughter. People think that it is wrong to need attention. Like news flash, everyone needs attention. Especially growing adolescents. So in this case, clearly, I think you should cut your work trip short. Being a workaholic isn't cool! If you have a problem you'd like my advice on email me at thepeverettphile.blogspot.com.




If you spot the Mindphuck let me know. Okay, you know I live in Florida, right? Here's another story from this messed up state.


In Royal Palm Beach, Florida, an apparent confrontation over a face mask dispute on one Saturday afternoon caused an unmasked man to threaten to kill an actually masked shopper by pulling a handgun on him at a Florida Walmart store. Big sigh. According to sheriff’s officials, the Royal Palm Beach store’s security video shows the maskless man pushing an older man in a wheelchair through the Walmart, but even the older man in the wheelchair pulls a red neckerchief over his mouth. Nevertheless, another shopper wearing a mask approaches the two, and that’s when things get sticky. Suddenly, after a few words were exchanged, the unmasked man gives the masked shopper the middle finger. And soon enough, the video also shows how the unmasked man proceeds to pull a handgun from his waistband and make a death threat before leaving the store. According to News 4 Jax, the video then goes to show how “a young girl reaches for the masked man’s hand to pull him away.” Even someone else is seen trying to help de-escalate the situation. The unmasked man pushes the older man to the parking lot, and they finally leave in a white Chevrolet Equinox SUV. In a Facebook post, the Palm Beach County Sheriff’s Office announced they were looking for the gunman, obviously irritated by the ignorance here. “You think you’re big and bad because you pull out a gun? Palm Beach County, we need your help to find this individual wanted for Assault with a Firearm at a local Walmart in Royal Palm Beach. He left the store in a white Chevy Equinox. This took place on July 12th, 2020. Anyone with information is urged to contact Crime Stoppers at 1-800-458-TIPS.” Although no one was injured, I have to say I hate these kinds of situations. If you think being forced to wear a face mask is an “infringement on your rights,” I’m sorry, but I have to politely disagree. Wearing a mask is a sign of respect for others in hopes that we can prevent the spread of COVID-19. This coronavirus pandemic is not going to get any better with situations like these. And those who are working who have to go up to those disrespectful ones without face masks? Please be careful. People are crazy.



If Goldilocks tried three beds, then Momma Bear and Daddy Bear slept separately. Baby Bear is probably the only thing keeping the family together.




Hahaha. That's funny. Oka, let's take a live look at Port Jeff, shall we?


Looks like another nice day there. By the way, I found this pic on the Internet...


It's Port Jeff in the 50s... 1955 I believe. I thought I's share it, I think it's pretty cool. Now from the home office in Port Jefferson, here is...


Top Phive Things Said By Dads About Parenting
5. Welcome to parenthood. You've taken silence for granted your whole life.
4. My 4-year-old daughter asked my 2-year-old son if it was time to fight. Two checked the calendar and said, "No, not yet." Well, at least they are organized.

3. On a road trip passing a billboard that says "Live Girls Dancing Daily" my daughter's voice from the backseat said, "Wow, that's a lot of recitals."
2. Dear parents of toddlers, how many limbs do you have to pin down so you can brush their teeth? Tonight was only seven.
And the number one thing said by a dad about parenting was...
1. My 6-year-old said, "Can I have ice cream?" I said, "It's too early." He said, "Ice cream can't tell time."



John Lewis 
February 21st, 1940 — July 17th, 2020
Talk about #BlackLivesMatter.



The 132nd book to be pheatured in the Phile's Book Club is...


Phile Alum Alicia Keys will be on the Phile this Monday... a week from today. Hey, wanna play a game?


"I bet I can eat nachos and go to the bathroom at the same time!" Who said it? Trump or Bender? I will let you know Wednesday.


Today's guest is an American pianist and record producer. He has been nominated for seven Grammy Awards and has won three Grammys and one Emmy Award. His latest mixtape "Fuck Yo Feelings" is available on iTunes and Spotify and Amazon. Please welcome to the Phile... Robert Glasper.



Me: Hey, Robert, welcome to the Phile, man. How are you?

Robert: Hello, hello. I feel crazy.

Me: Ummm... I guess that's good. So, where are you from, Robert?

Robert: Houston, Texas.

Me: So, you have a new mixtape, provocatively titled "Fuck Yo Feelings." Haha. You have a lot of people on the album with you but one name that I knew was Herbie Hancock. Was little Robert Glasper inside you screaming, "It's Herbie Hancock!!!"

Robert: Little Robert Glasper inside and outside screaming. I'm a fan way out every time I'm around Herbie. I'm proud hi quite often and it never fails I'm fanning out. he's artist, yo, he's literally like my favorite artist ever.

Me: So, you know most sites won't say the name of the mixtape, Robert. iTunes, Amazon all use asterisk. So, what is with this name?

Robert: It's basically about understanding about other people's plight or struggles even when they don't have those same struggles. It's like fuck your feelings, put your feelings out of this and just understand what someone else is going through. It goes as far as talking about sexism or racism or being gay or being in the LGBTQ community or being whatever it is. Like leave people alone. Take their feelings out of it and just understand who they are and what they're going through. And those people who are going through the things, this is what I'm gong through, fuck your feelings about it, this is my fight and this is what I'm going through. I just need them to understand it. Leave us alone or help. 

Me: Do you think that happens a lot of the time with the current climate we're living in?

Robert: Most of the time. Vocal fight for equality on so many levels. 

Me: So, why talk about it now?

Robert: I felt like now I feel that this time period that we're in everybody is fed up, you know what I mean. Everybody is speaking out and everybody is we've had enough. This particular record I pretty much gave females, particularly African-American females the platform to speak the issues that they are going through. That people are got through in general, that women are going through, black and brown women are going through, a lot of specific things on here. Like I said there's sexuality things going on here, stuff about abortion, all the things that people are talking about right now and what they're fighting for. That's kinda what this record was speaking on.

Me: Do you think it's important to always make music of the time we're living in?

Robert: How can you be an artist and not reflect the times? That's what we're here for, that's why we have history. We mark the time period we're in. If everybody keeps chasing history we're also erase it at the same time. We can't chase history and be of now. We also have to understand the history. The problem is people get held back by it. We're supposed to learn from history, not get held back by history. We learn from it then we can make new history. That's literally what we're supposed to do. 

Me: So, I really have no idea still what "mixtape" means, Robert, and I have interviewed artist who had mixtapes out. I thought mixtapes was a hip hop thing but you're a jazz artist, so what am I missing?

Robert: Well, the thing is I always say that black music is a big house. I like to go room to room. I have the keys to those rooms. And so I love hip hop, I love mixtapes, I love how much mixtapes give me the feeling. I love how conventional mixtapes can be. I love that I don't know what happens next and how random things can be. I get to do the random things because it's called a mixtape. If I called it an EP or an album there's some kind of expectancy put on it. I want people to listen to it with the ear of a mixtape. Most of the stuff on the album is hip hop.

Me: It's hip hop and not jazz?

Robert: It's hip hop with a nice mixture of hip hop and jazz and there's some R&B on there. That's where come from, those particular things so I feel like I can serve those lanes pretty smoothly. 

Me: Being a jazz musician do you feel that you talk through the world relating to time different? 

Robert: Totally. I have a song on my album called "Expectations" with Baby Rose and Rapsody that talks about that exact thing. I very much move through the universe closely. I'm very much in tune with that. Even when I make my albums I always say the universe co-produces my albums all the time. Things that I want to happen don't always happen most of the time. Half of the stuff I want to happen happens so I go into that with things already in mind. This is kinda what will happen but I know the universe will make something happen well, but I'm okay with that, lets see what that brings us and it brought me amazing situations. When you think about it, was is time.

Me: You recorded an album of Miles Davis songs. Are you a big Miles Davis fan?

Robert: I always say Miles Davis is the walking middle finger of jazz. He's the epitome of "fuck yo feelings." It literally wasn't about what we thought, it was always about this is who he is. This is what it is, and he loved music and he loved the evolution of music and he loved the young musicians and loved changing sounds. He always knew how to find young musicians who were on a brink of finding new sounds and he knew how to cultivate that and make it something. He allowed the cats to have a voice. He's Miles Davis but at the same time he knew that he didn't know everything. There was things he could learn as well and so he was always relevant. He was never one of those old guys who said that's not jazz, that's not jazz. What? Jazz is a mutt to begin with. It was never music that out of the blue happened. It's a mixture of a bunch of things. That's what all music does because we get influenced by new genres of music that pops up. Now it sounds different.

Me: What do you think of young jazz musicians now?

Robert: No one should be a young jazz musician now playing the jazz language of someone that is 90. I'm not saying it's wrong to play that language but when we have an issue with people who are taking the language and changing it and making it relevant then that's an issue for me. Because that's what it's supposed to do. Even less just say someone loves jazz from 1959, let's go with "Kinda Blue," that's arguably the greatest jazz album ever made. It's the best seller of jazz. Most "jazz police" will say they agree with me. But that's not the origin of jazz, jazz came out way before that. That "Kinda Blue" album is something that happened over time. People got influenced by music before that and that's something that ended up in 1959. It's literally the same concept because probably people who were playing jazz music in 1915 probably thought "Kinda Blue" ain't jazz. Jazz evolved in what they heard in "Kinda Blue" and evolved into what John Coltrane was doing in 1964 then it evolved into free jazz and evolved into electronic music and then there was fusion. That's literally what we're supposed to do unless we walk around with our ears plugged. Not being influenced just doesn't make sense.

Me: Would you say it's less of the musicians side of jazz than the consumption side of jazz?

Robert: It's both. On the musicians side of jazz they don't feel like they could keep up with what's happening, what's changing. So they try to pigeonhole it so they could be relevant. Because if we keep it moving they don't feel relevant anymore. They don't even have to like what's changing and what's new. They just have to acknowledge and appreciate the fact that it's changing. That it's growing. They can't tell their kids to be 5-years-old for the rest of their life. There's gonna be stages with the kid when he was badder at this stage. No, they're gonna grow and they're going to do somethings they won't like. That's life and they have to love them regardless. That's what music is, it's gonna change, it's gonna move, its gonna do stuff we don't like. The fact is it's gonna change and move so just acknowledge the move and changing of it. We should be a person that wants it to move and change. If someone is a person that doesn't want it to move and change they better check themselves.

Me: What do you think about hip hop nowadays compared to the jazz world?

Robert: Hip hop has always been relevant. They always welcomed the new hip hop. Even now, the scene of hip hop and the business of hip hop embraces all the younger people. All the "Lils." Lil Baby This and Lil Baby That, everybody wants to be Lil. But the hip hop scene itself, the engine, the business of it represents those people and back them. The jazz world doesn't do that. The engine doesn't necessary represent and push and really help and support in a real way. But now what's happening is long jazz musicians are having their own voice. Their like hey, this is my influence and they're bringing other influences in because we have more music to be influenced by then our elders did. That's a fact. So we're supposed to be influenced by these things.

Me: Who were you influenced by?

Robert: I was influenced by Roy Hargrove. He came to my high school and I never seen a young black jazz músician wearing jeans and t-shirt's. How whole band looked like me and my friends.

Me: What did you expect?

Robert: I expected someone to look like my principal. When I was in high school or junior high I was a kid and looked at an average jazz musician it didn't excite me, it made me think I have to wear a suit because for the most partial jazz musicians all wore suits that was the dress code to that genre of music. It's very rare that we find people with actual personalities and they show it through how they dress, how they talk, how they live. When we have that in jazz they stuck out like a sore thumb most of the time.

Me: So, with all the shit in the world is your priority to make music that makes people feel good? 

Robert: That's always the priority. There's nothing better than when I go to places and people tell me what music has done for them. That's why I do it, it's literally for that. I don't play for other musicians. I used to when I first started. I wanted to impress all the cats. The most important part is to make people feel good with the music. If I make music that makes people feel good then that's all that matters to me.

Me: Robert, thanks so much for being on the Phile. I hope this was fun. Stay safe and please come back again.

Robert: Thank you so much.




That about does it for this entry of the Phile. Thanks to Robert Glasper for a cool interview. So, my book Blaphaus Maximus and the New Galaxy Day is now available on Kindle as well as paperback. You can purchase it here...
amazon.com/gp/product/B08CPNPLMD/ref=ppx_yo_dt_b_asin_title_o03_s00?ie=UTF8&psc=1. Okay, the Phile will be back on Wednesday with musician
T Bone Burnett. I'm pretty excited. Spread the word, not the turd... or virus. Don't let snakes and alligators bite you. Bye, love you, bye. Mask it or casket.

































I don't want you, cook my bread, I don't want you, make my bed, I don't want your money too, I just want to make love to you. - Willie Dixon

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